Jesu redemptor saeculi*
- Folio
- 100r
- Sequence
- 3
List of concordances
For concordances, please consult the Cantus Index entry for Cantus ID 830177.
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SI-Lna 18 (olim 17)
SI-Lna 18 (olim 17)
099v <
> 100v
Folio: 100r - Feast: Dom. de Passione
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Folio: 099v - Feast: Fer. 6 Hebd. 4 Quad.
Folio: 099v - Feast: Sabb. Hebd. 4 Quad.
Folio: 099v - Feast: Dom. de Passione
Display previous chants ▾
| 1 | V2 A M | Domine si hic fuisses Lazarus | 002383 |
| 2 | L A B | Ego sum qui testimonium | 002600 |
| 3 | V A p | Animae impiorum* | 001419 |
| 4 | V R | Circumdederunt me viri | 006287 |
| 5 | V V 01 | Quoniam tribulatio proxima | 006287a |
| 6 | V H | Vexilla regis* | 008410 |
| 7 | V W | Dederunt in escam meam fel | 008006 |
| 8 | V A M | Ego sum lux mundi qui | 002592 |
Folio: 100r - Feast: Dom. de Passione
| 1 | C R | In manus tuas domine commendo | 601142 |
| 2 | C V 01 | Redemisti me domine deus | 601142a |
| 3 | C H | Jesu redemptor saeculi* | 830177 |
| 4 | C A N | Sanctifica domine quaesumus | 204458 |
| 5 | M I | Hodie si vocem domini | 001085 |
| 6 | M A 1. | Animae impiorum fremebant | 001419 |
| 7 | M W 1. | De ore leonis libera me | 008005 |
| 8 | M R 1.1 | Isti sunt dies quos observare | 007013 |
Folio: 100v - Feast: Dom. de Passione
| 1 | M V 01 | Locutus est dominus ad Moysen | 007013a |
| 2 | M R 1.2 | Multiplicati sunt qui | 007187 |
| 3 | M V 01 | Nequando dicat inimicus meus | 007187a |
| 4 | M R 1.3 | Qui custodiebant animam meam | 007475 |
Provenance: Kranj
Date: 15th century (1475-1500) | 1491
Cursus: Secular
Inventoried by:
The index for SI-Lna 18 (olim 17) was prepared by Jurij Snoj (Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts) with editorial assistance from Debra Lacoste (University of Western Ontario).
Date: 15th century (1475-1500) | 1491
Cursus: Secular
Inventoried by:
-
Jurij Snoj
Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts
The index for SI-Lna 18 (olim 17) was prepared by Jurij Snoj (Institute of Musicology, Scientific Research Centre of the Slovenian Academy of Sciences and Arts) with editorial assistance from Debra Lacoste (University of Western Ontario).