Tota pulchra es amica mea

Source:

Solesmes, Abbaye de Saint-Pierre, 596 (The Wilton Processional)

Folio:

132v

Sequence:

Feast:

Dom. p. Assumptionem

Office/Mass:

Genre:

Cantus ID:

005162

Mode:

Manuscript Reading Full Text (standardized spelling):

Tota pulchra es amica mea et macula non est in te favus distilans labia mea mel et lac sub lingua tua odor unguentorum tuorum super omnia aromata jam enim hiems transit imber abiit et recessit flores apparuerunt vineae florentis odorem dederunt et vox tuturis audita est in terra nostra surge propera amica mea veni de Libano veni coronaberis

Manuscript Reading Full Text (MS spelling):

Tota pulcra es amica mea et macula non est in te favus distilans labia mea mel et lac sub lingua tua odor unguentorum tuorum super omnia aromata iam enim hyemps transit ymber abiit et recessit flores apparuerunt vinee florentis odorem dederunt et vox tuturis audita est in terra nostra surge propera amica mea veni de libano veni coronaberis

Indexing notes:

Introitu ant.

Image link:

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F-SO 596

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Folio: 132v - Feast: Dom. p. Assumptionem

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CANTUS Database

F-SO 596

Provenance: English

Date 13th century (1275-1300) | late 13th c.

Indexed by:

Alison Altstatt
University of Northern Iowa

Proofreaders:

Alessandra Ignesti

The inventory for F-SO 596 was prepared by Alison Altstatt (University of Northern Iowa School of Music) with the permission of the Abbey of St. Pierre de Solesmes. Proofreading by Alessandra Ignesti (Dalhousie University). Transcription assistance was provided by Lauren Purcell Joiner and Gabriel Forero Villamizar. Support for this project was provided by the University of Northern Iowa School of Music, the College of Humanities, Arts, and Sciences, and Graduate College, the Beinecke Library of Yale University, and the National Endowment for the Humanities. All chants have been transcribed in both standardized and manuscript spellings. Rubrics have been added in the indexing notes. Stational liturgies have been indexed according to the feast on which they occur, as opposed to the saint at whose altar they were sung. In such cases, a clarifying note has been added in the indexing notes.