French - neumatic

Lori Kruckenberg-Goldenstein. “The Sequence from 1050-1150: Study of a Genre in Change. Ph. D. Diss. U. of Iowa. 1997. Pp. 185-224.

Lori Kruckenberg-Goldenstein. “The Sequence from 1050-1150: Study of a Genre in Change. Ph. D. Diss. U. of Iowa. 1997. Pp. 185-224.

Three sequentiae, written out with no repeats (like Autun 28S). Remarkably clear French neumes. Three melodies added after ordinary chants.

David Hiley. “The Sequence Melodies sung at Cluny and elsewhere.” In De musica et cantu: Studien zur Geschichte der Kirchenmusik und der Oper. Edd. Peter Cahn und Ann-Katrin Heimer. 131-155. Hildesheim ..., 1993.

Work on description. Space left for writing “neumae,” but none recorded. What was nature of source? Note the “eastern” element in the repertoire.

See Hiley. “The Sequence Melodies sung at Cluny and elsewhere.” In De Musica et cantu: Studien zur Geschichte der Kirchenmusik und der Oper. Helmut Hucke zum 60. Geburtstag. Edd. Peter Cahn und Ann-Katrin Heimer. 131-149. Hildesheim ... , 1993.

See Stäblein, “Zur Frühgeschichte der Sequence,” p. 7-8.